Modulation (Dover Books on Music) by Max Reger

Author:Max Reger [Reger, Max]
Language: eng
Format: epub
Publisher: Dover Publications
Published: 2013-05-27T03:00:00+00:00

46) C♭-major (c♭-minor)

Tonic C♯-major; chord of the Neapolitan sixth (f♯ a d) in C♯-major; use this chord of the sixth (f♯ a d), which is at the 2nd super-dominant (1st inversion) of c-minor; sub-dominant (f-minor) of c-minor; use this f-minor, which is at the same time relative to the dominant (A♭-major) of D♭-major; sub-dominant (G♭-major) of D♭-major; use this G♭-major, which is also the dominant in C♭-major (c♭-minor).

NB. The modulations in Nr. 43, 44, 45, 46 to a♭-, d♭-, g♭- and c♭-minor are less recommendable, for in these, the major third of the finally reached tonic, seems more natural.

(In Nr. 42, however, the Dorian sixth c, in e♭-minor, is quite natural and also correctly used for the modulation.)

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